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Adoration
According to Patanjali
Swami
Satyamayananda
Swami
Satyamayanandaji is a young monk of the Ramakrishna Order,
and looks after all the Prabuddha Bharata work in Kolkata.
He contributes articles to different journals and periodicals
from time to time, and also reviews scholarly works. In this
absorbing article, he concentrates on latria in the Yoga Sutras
of Patanjali.
The
Magic of the Word Yoga
While
sightseeing in Canton, China, Swami Vivekananda was bent on
visiting a nearby monastery that was off limits to visitors,
even when their party's interpreter was trying to dissuade
him. Suddenly, they were accosted with a tangible form of
dissuasion in the shape of two or three furious club-wielding
men who rushed at them with the intent of not just scaring
them away. The rest of the party fled for safety. Swamiji
caught hold of the interpreter's arm and inquired what was
the Chinese equivalent for "Indian yogi". Swamiji
repeated this loudly. The words instantly acted like magic.
The men dropped their clubs and fell at his feet with deep
reverence (1). Truly it can be said that the words "yoga"
and "yogi" have cast their spell on humankind for
thousands and thousands of years. With the present revival
and interest in Indian spirituality everywhere, yoga is now
influencing more and more minds than ever before. And the
danger of misinterpretations and misrepresentations is not
small. Yet the charm persists in whatever form it is in, pure
or diluted.
The
Most Difficult Thing
Sri
Sankara asks, "What is the most difficult thing for a
man to do?" and answers, "To keep the mind always
under control"(2). Even Arjuna complains to Krishna in
the Bhagavadgita that controlling the mind is as difficult
as controlling the wind. How true it is! Anyone attempting
to still the mind, even briefly, is immediately faced with
the truth of the impossibility of it. Yet the few brave souls,
endowed with faith, energy, memory, concentration and discrimination,
become living testimonies to this great science and are rightly
worshipped as gods. India has been the special stronghold
of yoga. Every other orthodox and unorthodox darsana
(philosophy, incorrectly though), in some form or other, has
adopted and adapted yogic practices to their systems, for
sadhana has always been integral in philosophy or it
would have been reduced to mere speculation. Patanjali, the
great sage, himself is said to be the compiler, systematizer
and codifier of certain ancient tested yogic practices prevalent
in society then (3). The immense practicality of yoga has
made it currently the most popular and respected philosophy.
The
Word Yoga
This
technical term yoga, like the term samadhi, has been variously
interpreted: sometimes novel, sometimes strange, and sometimes
bordering on the absurd. The word yoga itself has many definitions
but, for our purpose, two meanings need to be looked at. According
to the great Sanskrit grammarian Panini, the root yuj belonging
to the divadi-gana means samadhi. The root yujir
in the rudadi-gana means samyoga, 'yoke'
in English. In Patanjali's Уоga Sutras the former is
meant. So the Yoga Sutras can also be called Samadhi
Sutras.
Yoga,
based on the ancient Samkhya philosophy, is vast but yet contains
only 195 sutras (aphorisms, literally threads) divided into
four padas, chapters: "Samadhi", "Sadhana",
"Vibhuti" and "Kaivalya". There are certain
basic concepts that need to be looked at before we can we
can see how the practice of samadhi can be a continuos form
of adoration.
The
Illustration for Citta-Vrttis
Picture
a sea in the bosom of a long, violent storm. Huge monster
waves rise, crest the dark sky, and fall with a deafening
roar into the churning waters. Add lightning and sleet for
better visual and sound effects. In this heaving sea, a man
is struggling for life in a battered boat, which is repeatedly
being lifted by waves and crashed in the troughs. Compare
this scene for what goes on within: the citta, mind-stuff,
is the stormy sea; the waves in it are vrttis, and
the man in the boat is the effort to still the waves. This
is exactly what a novice experiences in the beginning of yoga
practice.
Now
consider another picture: that of the same sea after the storm
has abated. The sky is clear and sunny, and the water luminous
and mirror-still. As she yogi puts his whole being into his
efforts and is inexorably reaching the end of yoga, this is
what his citta appears like. The constant fire of tremendous
sadhana that goes into subduing each vrtti becomes
truly an act of adoration. It is this adoration that helps
the yogi stand up and fight even after being knocked down
millions and millions of times. Nothing is possible in its
absence, and yoga will be an empty word. The yogi takes flowers
which can be compared to his yogic experiences and struggles,
strings them on the yoga sutra (thread of yoga), and
offers this garland to Isvara, God, who is the special Purusa,
the first Guru - omniscient and omnipotent - whose manifesting
name is the sacred syllable Om. (4)
The
Ontological Postulates in Yoga Sutras
Yoga
philosophy postulates two ultimate realities called purusa,
soul, and prakrti, nature. The former is the kutastha
nitya, suffering no change and the latter is parinami
rtitya, that which does not lose its specilic nature in
spite of changes (yasmin vihanyamane tattvam na vihanyate).This
prakrti is constantly transforming itself due to the actions
of the three gunas (sattva, rajas and
tamas). This transformation embraces all of nature
from the microcosm to the macrocosm. Citta, being a
product of prakrti, is also subject to change. Prakrti
is jada, insentient, and one. But there is a plurality
of purusas that are by nature pure consciousness. Yoga
accepts the external world, the experiencing subject (bhokta),
the means of exprience and the things experienced as real.
In the "Samadhi Pada", the second sutra sets the
tone of the whole scheme of things. "Yoga-citta-vrtti-nirodhah",
yoga is the restraint (nirodha) of vrttis in
the citta. Let us look at these words, yoga, citta-vrtti
and nirodha.
Different
Stages of Yoga
We
have seen that the word yoga stands for samadhi. Some of the
commentators on Yoga Sutras are of the opinion that
it means both samprajnata and asamprajnata samadhis.
In Patandjali's system, no effort is made to realize the
purusa directly but the quelling of citta-vrttis
is attempted wholeheartedly. As a potential marksman first
aims at large objects, then proceeds to smaller and smaller
ones, so is the aspirant first made to attempt meditation
on gross objects and then proceed to subtle ones. Samadhi
is a much-touted word erywhere; to attain it is very difficult.
But in yoga, mere samadhi (samadhi matra) has not much
value. It is, however, the doorway to the higher realm called
samprajnata samadhi in which transcendental knowledge
known as prajna is obtained. These advanced stages
are technically called samapattis (not to be confused with
the samapattis of Buddhism). Samapattis, simply stated, are
the deepening of the constantly practised samadhi matra
by which the citta has attained stability like a clear piece
of crystal, and is merely tinged with the objects presented
to it. In samprajnata samadhi the objects of meditation
are categorized as grahya, gross and subtle aspects
of the object; the subtle entities are categorized as grahana,
instruments of knowledge (sense-organs, mind, intellect);
and the subtlest as the grahita (the experiencing subject),
the "I".
When
an object, which is within time, space and causation, is reflected
upon, it is savitarka samapatti. Higher still is when
memory (smrti) is purified, and the object of meditation
becomes free from any misconceptions and is unmixed (asankirna);
then the awareness of the transcendental nature of the object
beyond time etc shines, and it is nirvitarka samapatti.
Then comes savicara samapatti, the object now is subtle
(tanmatra) and is deliberated within time, space and
causation. Its higher aspect is when that subtle object is
deliberated upon transcending time, space and causation; then
it is nirvicara samapatti. Rising still higher and
meditating on citta as bereft of all impurities of
rajas and tamas becomes sananda samapatti.
Going deeper, when there remains only the sattva state
of the ego and absorption is made on oneself, it is called
sasmita samapatti (with asmita, ego). (5) In
the highest samprajnata samadhi there dawns what is
known as rtambhara prajna, truth-filled transcendental
knowledge. With its help the clear distinction between the
purusa and prakrti is known and this is called viveka-khyati.
Establishing
oneself in viveka-khyati, there then arises dharma-megha
("cloud of dharma") samadhi. Dharma-megha
samadhi gives rise to para-vairagya, supreme detachment
from all things related to the three gunas of prakrti.
The citta still has a residue of impressions so these
samprajnata states are known as sabija, with
seeds. After this comes asarhprajnata samadhi, this
is perfect super-consciousness. The strong repeated impressions
of rtambhara-prajna have obstructed all other subliminal
impressions of vyutthana (distractions). Rtambhara-prajna
itself is checked by supreme control and that leads to nirbija
state, without seeds. In this asamhprajnata samadhi,
the purusa only is there, being neither subject nor object.
The door to final liberation, kaivalya, is open, and
the citta, now freed from everything, resolves back
to its causes, pratiprasava.
From
the above we can see to what heights the yogi has to reach.
Each stage requires rigorous and unrelenting practice. Speaking
about these samadhis seems almost a blasphemy when we realize
that to attain even the lowest one might take a long, long
time. The yogi very quickly understands what he is up against
and this brings in humility, devotion and adoration that will
smoothen and sweeten his rough road.
The
Citta and Vrttis
The
citta is, as we have noted above, insentient, and it is
accounted for the difference between pure consciousness and
our different states of consciousness. According to yoga philosophy,
our consciousness, however, is only possible when a vrtti
arises in it. There can be no knowledge or cognition without
vrttis. These two then, citta and vrttis
are inseparable like milk and its whiteness. Broadly speaking,
vrtti-jnana is of two types, pratyaya and prajna.
The former is ordinary consciousness, and the latter is related
to super-consiousness. Citta is said to be pervasive,
but vrttis are sankoca-vikasa-sali, contracting
and expanding, rising and falling, taking the form of the
objects presented to it. The process is unimaginably superfast.
Citta being prakrti's evolute, it also has the
three qualities of sattva, rajas and tamas.
Sattva is characterized by luminosity and is ascribed
a white colour. Rajas is activity with red colour,
and tamas is inertia with black colour. These colours
or gunas are mixed in varying degrees.
According
to the great commentator Vyasa, there are five bhumis,
states, through which citta manifests. They are:
ksipta, mudha, viksipta, ekagra and
niruddha - scattering, darkening, scattering and gathering
alternatively, one-pointed, and controlled respectively. Yoga
is possible only in the last two. Cognitive vrttis or
pratyayas are of five kinds: pramana, viparyaya,
vikalpa, nidra and smrti - right knowledge,
indiscrimination, verbal delusion, sleep and memory respectively.
Moreover, there are the five klista vrttis, affective
(emotional), called "pain-bearing obstructions":
avidya, asmita, raga, dvesa and abhinivesa -
ignorance, egoism, attachment, aversion and the fear of death.
These
are more lasting than the cognitive ones. Klista vrttis
manifest only through the cognitive, and the cognitive are
impelled by the klista. It is a kind of constantly
revolving wheel.
Each
vrtti, after it subsides, leaves a trace called samskara,
impression, which has the power of producing the original
vrtti under circumstances. Because of this there is
memory, recognition, etc. The citta is supposed to
be filled with these traces and they are in the states of:
prasupti, tanu, vicchinna and udara,
dormant, attenuated, suppressed or repressed and expanded
respectively. The samskaras fall into two broad categories:
karmasaya (receptacle of karma) and jnanasaya (receptacle
of knowledge). Тhe former, filled with traces of bhoga
vasanas, desires, are responsible for rebirth. Jnanasaya
by itself does not bind, but in this very fluid situation
what is what and where is difficult to posit.
Apart
from the above there are the tremendous supernormal powers,
vibhutis. Famous among them are the asta-siddhis,
the eightfold yogic powers. The citta is ultimately
destroyed in the state just preceding freedom. In this confusion
of different things, let us see how Swamiji clearly explains
it: "The unknowable furnishes the suggestion that gives
the blow to the mind, and the mind gives out the reaction...
in the same manner as when a stone thrown into the water,
the water is thrown against it in the form of a wave. A book
form oran elephant form, or a man form, is not outside; all
that we know is our mental reaction from outer suggestions...
You know how pearls are made. A parasite gets inside the shell
and causes irritation, and the oyster throws a sort of enamelling
round it, and this makes the pearl. The universe of experience
is our own enamel, so to say, and the real universe is the
parasite serving as a nucleus. The ordinary man will never
understand it, because when he tries to do so, he throws out
an enamel and sees his own enamel... Thus you understand what
is meant by chitta. It is the mind-stuff, and vrttis and the
waves and ripples rising in it when external causes impringe
on it. These vrttis are our universe." (6)
Nirodha,
Restraint
On
reading the above, one gets an impression that controlling
citta-vrttis is well nigh imposible. Let us look at
it this way. The heart averages about 100,000 beats per day
and this goes on for a whole lifetime. Made of tough muscle,
does it ever take rest? It does, for a fraction of a second,
between the systolic and diastolic beats. Similarly is the
case with citta-vrttis, when one rise after taking
a form of an object and subsides and a second one is rising,
there is a very small interval between them; this has to be
prolonged. But before we can do that, we need to raise only
one class of vrttis (sajatiya) and this slowly
holds back the many other classes of vrttis (vijatiya).
Apart from this method of citta parikarma, purification
of the mind, there are the bhavanas prescribed to raise
vrttis opposed to the inimical ones. They are maitri,
karuna, mudita and upeksa - friendship,
mercy, gladness and indifference with regard to subjects that
are happy, unhappy, righteous and unrighteous. These pacify
the citta(7).
The
Yoga Sutras has tailored different practices to fit
different aspirants who are classed as superior, middling
and inferior. The superior are advised abhaysa, vairagya
and isvara-pranidhana - practice, non-attachment
and devotion to God, as principal ones. The middling aspirant
is advised kriya yoga: tapas, svadhyaya
and isvara-pranidhana - penances, study and devotion
to God. The inferior aspirant is advised to take up the astanga
yoga, or eight-limbed yoga, consisting of: yama, niyama,
asana, pranyama, pratyahara, dharana, dhyana and samadhi.
The first two are great moral and ethical vows, then posture
and control of prana - these are physical in nature. Then
comes withdrawal of the sensory-organs, concentration, meditation
and samadhi. Isvara-pranidhana in astanga yoga is
a part of niyama. Technically, nirodha is said
to be vrtti-nirodha, pratyaya-nirodha, samkara-nirodha,
klesa-nirodha and sarva-nirodha.
The
Speciality of Adoration in Yoga Sutras
Adoration
or isvara-pranidhana, we have noticed, is common to
all the three classes of aspirants. Patanjali no doubt has
seen its efficacy. Besides, the aspirant needs to understand
that unless a higher power is admitted and adored with love,
the goal can be extremely difficult. To repeat what we said
above, whenever an aspirant struggles to restrain vrttis
the very effort becomes an act of adoration by itself.
Coupled with love for Isvara, the yogi or yogini
becomes full of faith, hope, love and gentleness. This
constant adoration makes them a blessing to humanity. Even
the Lord says in the Gita: "A yogi is higher than men
of penances; he is higher than men of knowledge; the yogi
is higher than men of action. Therefore, О Arjuna, do become
a yogi. Even among the yogis, he who adores Me with his mind
fixed on Me and with faith - he is considered by Me to be
the best of the yogis."
Commentaries:
(1)
His Eastern and Western Disciples, The Life of Swami Vivekananda
(Mayavati: Advaita Ashrama, 1985), Vol. 1, p. 396.
(2)
Prasnottara-ratna-malika, 53.
(3)
Some scholars identify Patanjali with the grammarian, who
flourished around 200 вс. Others who do not think so, giving
historical and technical reasons
say Yoga Sutras must have been written somewhere about
300 AD.
(4)
Cf. Swami Vivekananda, The Complete Works (Mayavati:
Advaita Ashrama, 1989), Vol. 1, pp. 212-8.
(5)
Swamiji's explanation on Yoga Sutras, 1.17.
(6)
Swamiji's explanations on Yoga Sutras, 1.2.
(7)
Yoga Sutras, 1.33.
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